Music for Well-Being for General Educators

Music is an effective and interactive tool in the general education classroom for well-being outcomes. Throughout history, people have used music to connect with each other, express complex emotions, and make sense of the world around them. In this course, you will learn how music can help students manage the challenges they face in and out of school.

Well-Being in the General Classroom

This course transcends traditional approaches to education, exploring how music can be applied in the general classroom across all subjects. You’ll discover new ways to empower students with music, and teach them to use music listening and engagement as a tool for well-being. Join us as we explore new opportunities and techniques for music-empowered teaching and learning.

Course Overview

Through the thoughtfully curated selection of videos, readings, and written reflections in this course, you’ll explore how music can improve your students’ well-being as well as your own. You’ll discover new ways to empower students with music and gain a deeper understanding of why music is a vital element of all students’ education.

Learn about the basic principles of well-being, how music can benefit student mental health and learning, and why classroom teachers are uniquely situated to support well-being outcomes for K-12 students.

Explore what well-being means for children, some of the challenges youth face, and considerations for supporting the well-being needs of students in an increasingly diverse society.

Explore techniques for teacher well-being and learn how putting your self-care first ultimately helps your students and your job satisfaction by avoiding burnout.

Learn about teaching approaches that promote well-being and introduce some of the ways you can integrate music in the classroom to support these approaches across different school subjects.

Explore music listening as an innately valuable experience for well-being in and out of school, and discover ways to integrate music in the classroom to encourage students to connect with and respond to their learning material.

Discover ways to use elements of musical performance and creation in the classroom that don’t require technical knowledge of music instruction, and explore guidance for music-integrated lesson planning for well-being outcomes.

Learn about established resources for student well-being, music-integrated teaching, and teacher self-care to apply as soon as you need them.

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Bonus Materials

We want you to walk away from Music Workshop professional development courses with everything you need to put your learning into practice – the very next day. When you finish a course, you’ll get a resource kit with links, worksheets, lesson plans, and more to continue your learning and apply what you learned in your classroom.

Ready to Start Learning?

Photo shows a female teacher sitting in a classroom facing a row of middle-school students, all laughing and engaged.

Is This Course Right for You?

This course is built for educators at all levels – whether you’ve had a long teaching career or you’re just getting started. If you relate to any of these statements, this course is for you.

  • I want to enrich my students’ learning experiences and enhance their academic outcomes while leveraging the innate value of music for mental health.
  • I strive to connect with my students and develop positive relationships with them.
  • I want to support my students’ well-being, but often don’t feel like I have the right tools or much left to give.
  • I want to expand how my students understand what music can do for them.
  • I see more and more challenging student behavior in my classroom, and I sometimes feel helpless navigating it.
  • I am always looking for ways to keep my curriculum fresh so I can stay relevant in this changing educational landscape.
  • I know music is a vitally important and effective tool in students’ educational experiences.
  • I want to help my students who are coming to class anxious, depressed, and disengaged.

Learn From the Experts

This course was facilitated by Dr. Giuliana Conti, Music Workshop’s Director of Education and Equity, in partnership with some of the leading experts in music education practice and research. Here are a few of the advisors who were instrumental in its creation.

Photo of Dr. Sarah J. Bartolome.

Dr. Sarah Bartolome

Associate Professor at Northwestern

Dr. Sarah J. Bartolome is a children’s music specialist with an interest in world music for the classroom. She earned degrees in music education from Ithaca College (BM), Northwestern University (’02 MMus), and the University of Washington (PhD).

Photo of Dr. Carlos Abril.

Dr. Carlos Abril

Associate Dean of Research University of Miami

Carlos R. Abril is Professor of Music Education and Associate Dean of Research at the Frost School of Music, where he teaches courses in philosophy of music, general music methods, and equity, access, and diversity in music education.

Photo of Dr. Beatriz Ilari.

Dr. Beatriz Ilari

Chair of Music Teaching & Learning at USC

Beatriz Ilari (she/her) is an Associate Professor of Music Teaching & Learning at the USC Thornton School of Music, where she teaches graduate courses in music psychology, the sociology of music, cultural diversity in music teaching and learning, and research methods.

Photo of Dr. Jennifer Mellizo.

Dr. Jennifer Mellizo

University of Wyoming Laboratory School & Curriculum Developer at Smithsonian Folkways

Jennifer Mellizo has been the K-8th grade music teacher at the University of Wyoming Laboratory School in Laramie…

Photo of Dr. Cat Bennett.

Dr. Cat Bennett

Assistant Professor at Oakland University

Dr. Cat Bennett is an assistant professor of music education at Oakland University, where she teaches undergraduate introductory and capstone music education courses, choral methods, student teaching seminar, and supervises choral education student teachers in their internships.

Photo of Coty Raven Morris.

Coty Raven Morris

Assistant Professor at Portland State University

Coty Raven Morris is a proud alumnus of Texas State University-San Marcos where she studied with Drs. Lynn Brinckmeyer, Jonathan Bacock, and Joey Martin.

Michelle Salgado, Phd

Senior Science Educator at Exploratorium

Michelle is a senior science educator who has both a teaching and research background in elementary education.

Erin Riesland, PhD

Learning Designer and Researcher

Dr. Erin Riesland is a PhD graduate in Learning Sciences and Human Development from the University of Washington’s College of Education

Photo of Dr. Sarah J. Bartolome.

Dr. Sarah Bartolome

Associate Professor at Northwestern

Dr. Sarah J. Bartolome is a children’s music specialist with an interest in world music for the classroom. She earned degrees in music education from Ithaca College (BM), Northwestern University (’02 MMus), and the University of Washington (PhD). She is also a fully certified Kodaly educator, having received all three levels of certification from the New England Conservatory’s Kodaly Music Institute and serving on the faculty of the Kodaly Levels Program of Seattle.

Photo of Dr. Carlos Abril.

Dr. Carlos Abril

Associate Dean of Research University of Miami

Carlos R. Abril is Professor of Music Education and Associate Dean of Research at the Frost School of Music, where he teaches courses in philosophy of music, general music methods, and equity, access, and diversity in music education. Dr. Abril has served on the Research Panel for the National Endowment for the Arts and is Chair of the Society of Research in Music Education. He has also served on over ten editorial boards in North America, South America, and Europe. Prior to joining the University of Miami, Dr. Abril was an Associate Professor and Coordinator of Music Education at Northwestern University. He received his Ph.D. in music education at The Ohio State University, an M.M. in performance at the Cincinnati College-Conservatory of Music, and a B.M. in music education at the University of Miami Frost School of Music. He is also a former general music and choral educator in the Miami-Dade County Public Schools, where he was named the Region V Teacher of the Year and awarded the Cervantes Outstanding Educator Award.

Photo of Dr. Beatriz Ilari.

Dr. Beatriz Ilari

Chair of Music Teaching & Learning at USC

Beatriz Ilari (she/her) is an Associate Professor of Music Teaching & Learning at the USC Thornton School of Music, where she teaches graduate courses in music psychology, the sociology of music, cultural diversity in music teaching and learning, and research methods. She has conducted extensive research with babies, preschoolers, and school-aged children from the U.S., Brazil, Canada, Japan, and Mexico. In her work, she uses a variety of approaches to study different aspects of musical development and growth of infants, children, and adolescents. Her research is interdisciplinary in nature. Beatriz Ilari collaborates regularly with researchers from USC’s Brain & Creativity Institute and Bionic Ear Lab, and with scholars from different research centers and universities across the globe.

Photo of Dr. Jennifer Mellizo.

Dr. Jennifer Mellizo

University of Wyoming Laboratory School & Curriculum Developer at Smithsonian Folkways

Jennifer Mellizo has been the K-8th grade music teacher at the University of Wyoming Laboratory School in Laramie, WY since 2002. She is also an independent researcher and a curriculum developer for Smithsonian Folkways Recordings. She has been recognized as a Wyoming Arch Coal Teacher of the Year in 2014, the Albany County School District Teacher of the Year in 2016, and a 2021 Fulbright U.S. Scholar (Spain).

Photo of Dr. Cat Bennett.

Dr. Cat Bennett

Assistant Professor at Oakland University

Dr. Cat Bennett is an assistant professor of music education at Oakland University, where she teaches undergraduate introductory and capstone music education courses, choral methods, student teaching seminar, and supervises choral education student teachers in their internships. Over the past 15 years, Cat has taught and studied vocal music in many countries around the world, teaching K – 12 general and choral music in Japan and Thailand, and working as a volunteer music teacher in Honduras and South Africa. Prior to completing her PhD at the University of Miami, she studied vocal jazz and Creative American Music. Cat also has a BME from Ithaca College and a MME from Indiana University.

Photo of Coty Raven Morris.

Coty Raven Morris

Assistant Professor at Portland State University

Coty Raven Morris is a proud alumnus of Texas State University-San Marcos where she studied with Drs. Lynn Brinckmeyer, Jonathan Bacock, and Joey Martin. She received her Masters of Music in Choral Conducting from Michigan State University in the Spring of 2020. She is currently the Hinckley Visiting Assistant Professor of Music Education and Social Justice at Portland State University. She has presented at educational conferences and professional developments across the country including the American Choral Directors Association, Texas Music Educators Association, and the National Association for Music Education.

Michelle Salgado, Phd

Senior Science Educator at Exploratorium

Michelle is a senior science educator who has both a teaching and research background in elementary education. Her research interests focus on supporting diverse instructional shifts to cultivate child-led knowledge building communities in science. Within her research, she specializes in elementary scientific modeling, equitable classroom discussions, and supporting others to build relationships with the natural world and with the discipline of science. She focuses on co-designing equitable learning environments with teachers and which include family engagement with science concepts to support and elevate a diversity of student participation. She is a current National Board Certified Teacher and has taught elementary school for close to a decade. She has also worked as science curriculum developer, professional development provider, and embedded instructional coach.

Erin Riesland, PhD

Learning Designer and Researcher

Dr. Erin Riesland is a PhD graduate in Learning Sciences and Human Development from the University of Washington’s College of Education, a Fullbright scholar, and partner with All Circles of Learning. With degrees in both visual design and education technology, her research and practice aims to produce inspirational and equitable postdigital learning environments. Prior to her PhD journey, she worked as a learning designer for more than fifteen years in both K-12 and higher education settings including Seattle University, McGraw-Hill Education, and the University of Southern California. Her research interests focus on understanding and addressing the challenges that face our increasingly visual and digital world by considering the agency of the learning environment and its integral role in equitable STEM education.

Woman with short grey hair and black glasses smiles while looking at a sheet of paper.

Continuing Education Credit

The Music for Well-Being for General Educators course is worth eight hours of professional development toward continuing education requirements. Teachers receive a certificate of completion when they finish the course and can download the syllabus and course information document if needed for pre-approval or reimbursement.

Get Details on Continuing Education Credit

Scholarships Available

We don’t want there to be barriers for teachers to benefit from our professional development courses. If you can’t afford the enrollment cost or receive reimbursement from your school or district, please fill out this form to request a scholarship.

Free Music Programming for K-8 Classrooms 

Music Workshop has a rich library of free classroom content that is ready to bring music to life in any K-8 classroom. Our free classroom curriculum is customized by grade level and covers musical genres, instruments, careers in music, and music from cultures around the world. 

Course materials include high-quality videos, teacher-led question and answer sessions, active listening exercises, and movement activities. These materials are also perfect for substitutes as they are ready to go, easy to manage, and continue students’ musical learning even in the absence of the music teacher.

Explore Music Workshop’s Free Classroom Curriculum