Teachers know that children and teens are naturally musical people with music listening as an already present part of their everyday lives. People have used music to connect with each other, express complex emotions, and make sense of the world around them for millennia. In this course, you will learn how music listening can help K-12 students manage the challenges they face in and out of school.
This course transcends traditional approaches to education, exploring how music listening can be applied across all subjects. You’ll discover new ways to empower students with music and teach them to use music listening as a tool for well-being. Join us as we explore new opportunities and techniques for music-empowered teaching and learning.
Course Overview
We know not every teacher has time for Music Workshop’s comprehensive 8-hour course on Music for Well-Being, so this course separates a topic from that training to take a focused look at music listening. Our 2-hour specialty course explores the role of music listening across K-12 classrooms in supporting the well-being of students. Through four modules of research-based learning content, videos, and activities, you will learn how to apply music listening in your instruction to cultivate a supportive and engaging learning environment as a music or non-music teacher.
Learn about basic principles of well-being and how to identify it in your students.
Learn about what well-being means for children, some of the challenges youth face, and considerations for supporting well-being needs for students in an increasingly diverse society.
Discover how listening to and sharing music can help children develop deeper commitments to music, healthy coping skills, personal identity, social connection, and belonging.
Reflect on your role in your students’ lifelong relationship with music and learning. Build your teaching toolbox with well-being-oriented music listening activities and considerations.
Bonus Materials
We want you to walk away from Music Workshop professional development courses with everything you need to put your learning into practice – the very next day. This course comes with a workbook and review package to continue your learning and apply what you learn immediately in class.
This course is built for all K-12 educators. If you relate to any of the below statements, this course is for you.
I strive to connect with my students and develop positive relationships with them.
I want to support my students’ well-being through music, but often don’t feel like I have much left to give.
I want to expand how my students understand what music can do for them and what they can do musically.
I see more and more challenging student behavior in my classroom, and I sometimes feel helpless to navigate it.
I am always looking for ways to keep my curriculum fresh so I can stay relevant in this changing educational climate.
I know music is vitally important in education, and I want additional tools to explain why to parents, administrators, and community members.
I want to help my students who are coming to class anxious, depressed, and disengaged.
Learn From the Experts
This course was facilitated by Dr. Giuliana Conti, Music Workshop’s Director of Education and Equity, in partnership with some of the leading experts in music education practice and research. Here are a few of the advisors who were instrumental in its creation.
Dr. Sarah Bartolome
Associate Professor at Northwestern
Dr. Sarah J. Bartolome is a children’s music specialist with an interest in world music for the classroom. She earned degrees in music education from Ithaca College (BM), Northwestern University (’02 MMus), and the University of Washington (PhD).
Carlos R. Abril is Professor of Music Education and Associate Dean of Research at the Frost School of Music, where he teaches courses in philosophy of music, general music methods, and equity, access, and diversity in music education.
Beatriz Ilari (she/her) is an Associate Professor of Music Teaching & Learning at the USC Thornton School of Music, where she teaches graduate courses in music psychology, the sociology of music, cultural diversity in music teaching and learning, and research methods.
Dr. Cat Bennett is an assistant professor of music education at Oakland University, where she teaches undergraduate introductory and capstone music education courses, choral methods, student teaching seminar, and supervises choral education student teachers in their internships.
Coty Raven Morris is a proud alumnus of Texas State University-San Marcos where she studied with Drs. Lynn Brinckmeyer, Jonathan Bacock, and Joey Martin.
Dr. Sarah J. Bartolome is a children’s music specialist with an interest in world music for the classroom. She earned degrees in music education from Ithaca College (BM), Northwestern University (’02 MMus), and the University of Washington (PhD). She is also a fully certified Kodaly educator, having received all three levels of certification from the New England Conservatory’s Kodaly Music Institute and serving on the faculty of the Kodaly Levels Program of Seattle.
Dr. Carlos Abril
Associate Dean of Research University of Miami
Carlos R. Abril is Professor of Music Education and Associate Dean of Research at the Frost School of Music, where he teaches courses in philosophy of music, general music methods, and equity, access, and diversity in music education. Dr. Abril has served on the Research Panel for the National Endowment for the Arts and is Chair of the Society of Research in Music Education. He has also served on over ten editorial boards in North America, South America, and Europe. Prior to joining the University of Miami, Dr. Abril was an Associate Professor and Coordinator of Music Education at Northwestern University. He received his Ph.D. in music education at The Ohio State University, an M.M. in performance at the Cincinnati College-Conservatory of Music, and a B.M. in music education at the University of Miami Frost School of Music. He is also a former general music and choral educator in the Miami-Dade County Public Schools, where he was named the Region V Teacher of the Year and awarded the Cervantes Outstanding Educator Award.
Dr. Beatriz Ilari
Chair of Music Teaching & Learning at USC
Beatriz Ilari (she/her) is an Associate Professor of Music Teaching & Learning at the USC Thornton School of Music, where she teaches graduate courses in music psychology, the sociology of music, cultural diversity in music teaching and learning, and research methods. She has conducted extensive research with babies, preschoolers, and school-aged children from the U.S., Brazil, Canada, Japan, and Mexico. In her work, she uses a variety of approaches to study different aspects of musical development and growth of infants, children, and adolescents. Her research is interdisciplinary in nature. Beatriz Ilari collaborates regularly with researchers from USC’s Brain & Creativity Institute and Bionic Ear Lab, and with scholars from different research centers and universities across the globe.
Dr. Jennifer Mellizo
University of Wyoming Laboratory School & Curriculum Developer at Smithsonian Folkways
Jennifer Mellizo has been the K-8th grade music teacher at the University of Wyoming Laboratory School in Laramie, WY since 2002. She is also an independent researcher and a curriculum developer for Smithsonian Folkways Recordings. She has been recognized as a Wyoming Arch Coal Teacher of the Year in 2014, the Albany County School District Teacher of the Year in 2016, and a 2021 Fulbright U.S. Scholar (Spain).
Dr. Cat Bennett
Assistant Professor at Oakland University
Dr. Cat Bennett is an assistant professor of music education at Oakland University, where she teaches undergraduate introductory and capstone music education courses, choral methods, student teaching seminar, and supervises choral education student teachers in their internships. Over the past 15 years, Cat has taught and studied vocal music in many countries around the world, teaching K – 12 general and choral music in Japan and Thailand, and working as a volunteer music teacher in Honduras and South Africa. Prior to completing her PhD at the University of Miami, she studied vocal jazz and Creative American Music. Cat also has a BME from Ithaca College and a MME from Indiana University.
Coty Raven Morris
Assistant Professor at Portland State University
Coty Raven Morris is a proud alumnus of Texas State University-San Marcos where she studied with Drs. Lynn Brinckmeyer, Jonathan Bacock, and Joey Martin. She received her Masters of Music in Choral Conducting from Michigan State University in the Spring of 2020. She is currently the Hinckley Visiting Assistant Professor of Music Education and Social Justice at Portland State University. She has presented at educational conferences and professional developments across the country including the American Choral Directors Association, Texas Music Educators Association, and the National Association for Music Education.
Michelle Salgado, PhD
Senior Science Educator at Exploratorium
Michelle is a senior science educator who has both a teaching and research background in elementary education. Her research interests focus on supporting diverse instructional shifts to cultivate child-led knowledge building communities in science. Within her research, she specializes in elementary scientific modeling, equitable classroom discussions, and supporting others to build relationships with the natural world and with the discipline of science. She focuses on co-designing equitable learning environments with teachers and which include family engagement with science concepts to support and elevate a diversity of student participation. She is a current National Board Certified Teacher and has taught elementary school for close to a decade. She has also worked as science curriculum developer, professional development provider, and embedded instructional coach.
Erin Riesland, PhD
Learning Designer and Researcher
Dr. Erin Riesland is a PhD graduate in Learning Sciences and Human Development from the University of Washington’s College of Education, a Fullbright scholar, and partner with All Circles of Learning. With degrees in both visual design and education technology, her research and practice aims to produce inspirational and equitable postdigital learning environments. Prior to her PhD journey, she worked as a learning designer for more than fifteen years in both K-12 and higher education settings including Seattle University, McGraw-Hill Education, and the University of Southern California. Her research interests focus on understanding and addressing the challenges that face our increasingly visual and digital world by considering the agency of the learning environment and its integral role in equitable STEM education.
Continuing Education Credit
The course is worth two hours of professional development toward continuing education requirements. Teachers receive a certificate of completion when they finish the course and can download the course syllabus or PD reimbursement document if needed for pre-approval or reimbursement.
We don’t want there to be barriers for teachers to benefit from our professional development courses. If you can’t afford the enrollment cost or receive reimbursement from your school or district, please fill out this form to request a scholarship.
Free Music Programming for K-8 Classrooms
Music Workshop has a rich library of free classroom content that is ready to bring music to life in any K-8 classroom. Our free classroom curriculum is customized by grade level and covers musical genres, instruments, careers in music, and music from cultures around the world.
Course materials include high-quality videos, teacher-led question and answer sessions, active listening exercises, and movement activities. These materials are also perfect for substitutes as they are ready to go, easy to manage, and continue students’ musical learning even in the absence of the music teacher.
Learn more about our online, self-paced Professional Development that educates and empowers teachers to enhance well-being for themselves and students through music.
Get ready to hit the Red Carpet at Music Workshop's Inspire Bash February 22nd, 2024! Get your tickets before the end of the year for early bird pricing!
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